1. Can you help me with a mechanical problem?
Often, a problem with a manual typewriter can be fixed at home with a little time, a little ingenuity, and some simple tools such as a screwdriver. For a few tips on mechanical repairs and restoration, see Basic Typewriter Restoration. For Will Davis's more extensive advice, see his Online Typewriter Support. But sometimes an expert's personal help is certainly needed. I cannot give you any expert advice, but I have a list of repair shops around the world that will work on manual typewriters.
2. Where can I find a ribbon for my manual typewriter?
This is easier. Almost all manual typewriters use half-inch-wide ribbons, and these can still be found. (If you have an odd-sized ribbon, experiment with ribbons for computer printers, time clocks, cash registers, and other machines.) Most typewriters can use dual-color ribbons (red and black), so look for one of those -- they look nice and can be useful. Good ribbons are still available from the sources listed below. Your local office supply store may also have ribbons for manual typewriters, and it may have ribbons intended for printing calculators which will work just as well. Ribbon spools (the reels) are slightly more challenging, if your typewriter is missing them. Ribbons are usually sold on plastic spools, and you may have to experiment with several kinds before you find one that fits your particular machine.3. Would you look up my typewriter's serial number?
Baco Ribbons sells ribbons in many sizes, colors (including brown!) and materials (including silk!). They also replace old platens. Baco Ribbon & Supply Co., 2230 Mason Lane, Ballwin, MO 63021, 314-835-9300, fax 314-835-9361, e-mail bacoribbon@sbcglobal.net.
Jay Respler of Advanced Business Machines Co. in New Jersey carries ribbons for virtually all typewriters: Phone 732-431-1464 after 11 AM Eastern, or e-mail jrespler@superlink.net. "I offer nylon, cotton, silk, and all colors. I can get many odd sizes. I stock newer cartridges as well as older spools. I supply pictures of spools to help determine what the customer needs. We ship anywhere in the world."
Other sources include Ames Supply Co., Scantracker, Ko-Rec-Type, and FJA Products.
Earl De Barth, of www.debarth.org, telephone number 215-855-6851, 9:00 am to 4:00 pm ET, e-mail imanager@debarth.org, has the material for the 25 mm and wider ribbons. He has no spools, so requests that the purchaser send him a spool on which to wind the "new" ribbon. And he can sometimes provide ribbons in colors other than black or black/red. Prices vary according to length, number of ribbons purchased, etc.
I'm sorry, no. I do have a few serial number records, but I cannot accommodate these requests because of my long to-do list every day. Please try The Typewriter Database, a site that lists serial numbers for many makes.4. Do you have a user's manual for my typewriter?
5. How old is my typewriter?I just don't have the time to copy the manuals that I own. Try Office Machine Americana or ask on one of the typewriter e-mail lists.
6. What is my typewriter worth?If you can find your typewriter's serial number, it may be listed at The Typewriter Database. Failing that, here are some rules of thumb:
Weird? If your typewriter looks bizarre in some way (strange keyboard, shape, etc.), chances are that it's pre-1920. Let me know what you've got, and I'll try to give you more information.
Have an Underwood? If it says "Wagner Typewriter Co." on the back, it dates from 1895-1900. If it doesn't say "Wagner" but has an open frame (you can easily see the works), it dates from 1900-1930. If it's an open-framed Underwood #5, check my Underwood page for a list of serial numbers that will let you date it with precision. (Look for the serial number on the right top of the frame, under the right end of the carriage.) If it is an office-sized typewriter with an enclosed frame (covered in sheet metal), it's after 1930. Underwood portables with three rows of keys date from 1919-29. Those with four rows of keys are mostly from the thirties and forties.
Have a Remington portable? Check my Remington portables page for a list of pre-war Remington portables, with the dates of each model. If it's not on my list, it's postwar.
Patent dates can tell you that a typewriter was made after a certain date. But sometimes the machine was made quite a few years after the latest patent date. In the case of older (open-frame) Underwoods, the company got so many patents that the last patent date is probably very close to the year of manufacture. (Look on the back of the machine for a big decal listing all the patents.)
If your typewriter has very little plastic, it's probably no later than the mid-1930s. If it's painted in crinkle paint (with tiny wrinkles), it's from the late thirties or the forties.
Postwar typewriters (that's World War II we're talking about) can be recognized by various signs: U.S. patent numbers above 2,400,000; extensive use of plastic; and keys that are not circular, but are rounded-off rectangles.
IBM Selectrics date from 1960 at the earliest. This also goes for other modern electric machines that use a single type element (such as the Selectric "golf ball").
Electrics with a daisy wheel date from the late 1970s at the earliest.
7. I want to use a manual typewriter. What would you recommend?The monetary value of a typewriter can't be determined precisely, because there are relatively few collectors and the market is always changing. Furthermore, the condition of a typewriter affects its value significantly. To further complicate things, there are literally hundreds of makes of typewriter that are of value to a collector, ranging from $50 machines to $50,000 machines. I won't list them all here -- write to me with the details of your typewriter (make, model, condition). However, you should first check to see whether your typewriter falls into one of the classes below, as 95% of them do. I also recommend searching completed auctions at eBay, where you will find many examples of the common makes of typewriter.
Postwar typewriters
Few typewriters made after World War II are considered "collectible," because these later writing machines are mostly look-alikes produced in great quantities -- and they are often ugly, in many people's view. Someone may want them, of course, but don't expect the price to go over $20 or so. The exceptions to this rule are typewriters that have a strange or specialized mechanism -- for instance, the Varityper, a "cold typesetting" machine descended from the Hammond which prints from a type shuttle -- and the more eye-catching and colorful '50s portables, which can bring $100 with luck.
As for prewar typewriters, most belong to the following makes:
Corona
This is one of the first portables. The Corona that most collectors like has a carriage that folds down onto the keyboard. This is a beginner's machine that is frequently found. An informed collector will hold out for one in excellent condition, and will not pay much more than $50 for it. Colored specimens are worth more than black ones.
Oliver
These machines are collectible and are certainly unusual to the modern eye, with their U-shaped typebars hovering over the platen. However, most are not rare. Expect the value to be in the $50-$100 range, give or take some according to condition. Olivers do have many minor variations, some of which are unusual. The most valuable Oliver is the #1, which can be recognized by its nickel finish and the fact that the tabs sticking out of its sides are flat to the ground.
Remington
Remington was always a leader in the typewriter industry -- so many Remington machines are common and worth little. Understroke Remingtons (which type on the underside of the platen) are worth some money; these are full-sized, office typewriters with model numbers under 10. The most common understroke Remingtons are the #6 and #7, worth around $100; other understroke models can be worth more. There are also many models of Remington portables; most of these are frequently found, but are enjoyed by some collectors. They will bring a modest price, say $30, give or take according to condition and luck. The Remington Electric of 1925 is worth several hundred dollars; this is a very boxy machine that has a carriage return lever on the right.
Royal
The Royals to look for are the #1, #5, and Standard. These are office machines with an unusual, low profile and a keyboard that looks like it's emerging from a staircase (collectors call these the "flatbed" models). They are worth around $50-$200 depending on condition (usually they are in poor shape). Many older Royal office typewriters are model 10 (usually not marked as such); the earlier ones have glass windows on the sides (pretty although useless). Value depends on condition -- anywhere from zero to $100. Royal portables are fun, but not worth much (about $10-$200 depending on condition and luck, with an average value around $40). The exception is the gold-plated version of the '50s Royal Quiet Deluxe portable, which is worth several hundred dollars. Finally, if your machine says "Royal Grand," you have found a very rare item that's the most valuable model of this make.
L.C. Smith
These are common, conventional typewriters. The earlier L.C. Smiths have a handsome decal with prancing horses. If you have such a machine in excellent condition, the lower the model number the better, it can bring $100 on a good day. L.C. Smith merged with Corona to create Smith-Corona in 1926. Smith-Corona portables from the 30s, in excellent condition, can be nice and might be worth $50 or so. Later Smith-Coronas are so common that they are of minor interest to collectors (although they are fine writing machines).
Olympia
A very successful German make, with a reputation for high quality. Because supply far exceeds demand today, it is unlikely that an Olympia will bring more than $50.
Underwood
The Underwood was the IBM PC of its day -- popular, reliable, common, much-imitated, and frankly, pretty dull. The earliest Underwoods are considered collectible and will bring roughly $200; these usually say "Wagner Typewriter Co." on the back. Some collectors or people who want one old typewriter will enjoy an ordinary Underwood (which is likely to be a #5) if it's in great condition. Very nice #5's can bring $150 or so, but the average-condition Underwood (any model) is difficult to sell at any price. There are some attractive Underwood portables, particularly the "Underwood Standard Portable Typewriter" of 1919-29, with three rows of keys (the name is bigger than the typewriter). It's worth about $40. For more about Underwoods, click here.
Woodstock
These well-made but conventional typewriters are generally ignored by collectors. The Woodstock Electrite is an early electric typewriter that is not frequently found, but still may bring under $100.
It's partly a matter of taste, but some makes have gathered a lot of fans for their sturdiness, their looks, or their feel. Many users prefer a machine that uses "segment shift" (also known as "basket shift") rather than "carriage shift": in other words, when you shift, the carriage does not move but the typebars do. This is easier, particularly for those used to computer keyboards. Be aware that if you choose an ultra-flat, "laptop" typewriter, the portability will come at the cost of a less satisfying feel. For many users, a larger portable made between 1930 and 1970 will do the trick.8. What kind of typewriters have been favored by writers and celebrities?Here are some possibilities. My list below is linked to current eBay auctions. Be patient and hold out for a machine in good condition. There are a few eBay sellers who often sell typewriters and have developed a good reputation; I recommend arkaem-sales, curtisz, T&T Typewriters, and writertypes. For a professionally cleaned and reconditioned typewriter from sources other than eBay, I also recommend mytypewriter.com (mostly pre-1940 machines), Mr. Typewriter (mostly postwar machines), and Blue Moon Camera.
- Corona Standard, Silent and Sterling: Coronas with a basket shift. This well-engineered design was made for about 50 years in various body styles, with minor mechanical changes. For beauty, look for the glossy 1930s versions, which are sometimes boxy in design, sometimes beautifully streamlined. For the maximum of features and sturdiness, look for the 1950s versions, typically finished in colored wrinkle paint.
- Olympia: excellent German engineering made this company great. The portables and office machines are both good. The postwar SG (big) and SM (medium) series are traditional favorites of writers (see below). SM 3 through SM 7 are carriage-shifted; SM 8 and SM 9 are basket-shifted.
- Hermes: a lot of people swear by their Swiss engineering. The Hermes 3000 is the most popular model.
- Remington Noiseless Portable: my personal favorite is the model 7 with glossy black paint. There are also other variants. These are relatively quiet, comfortable 1930s machines with Deco looks. There are differences of opinion about the distinctive feel of this design, which brings the typebar just far enough to "kiss" the platen instead of delivering a loud smack. Click here for more about Remington portables of the twenties and thirties.
- Royal portables: look for nice ones from the 1920s and 1930s, with shiny black paint.
- Underwood portables: same advice as for the Royals.
- Underwood #5: if you want an office-sized (non-portable) machine, you may enjoy this classic. Underwoods have a satisfying clickety-snap to them, but may tire your hands until you develop some finger strength. In top condition (which you should insist on) they can sometimes get expensive ($150 or so). Click here for more about this model.
- Royal #10: another classic office-sized workhorse of the first half of the twentieth century.
- L.C. Smith: a well-made office-sized machine with basket shift.
9. Are the Bush documents fakes?Here are the results of some research by me and my correspondents. Particular thanks to Steve Hahn and to Robert Messenger, whose article on typewriter-loving writers you can read here (PDF).
- Douglas Adams: Hermes 8
- Joseph Alsop (columnist, Jan 1968): Underwood Standard SX-100, ca. 1950-52
- John Ashbery: Royal Aristocrat; Royal KMM (in Judith KrementzŐs The WriterŐs Desk, 1995)
- Isaac Asimov: pink Selectric (on cover of his Opus 200)
- Paul Auster: Olympia SM 9 (There's a book about Auster's Olympia.)
- L. Frank Baum: Smith Premier
- Betsy Beaton (author, Nov 1948): Underwood standard No. 6
- Brendan Behan: Remington portable (1920s)
- Saul Bellow: Royal KMG
- Stephen Vincent Benet: duotone 1920s Remington portable
- Ingrid Bergman: Smith-Corona Skyriter
- Erma Bombeck: IBM Selectric I
- Bill Boni (WWII correspondent): Remington noiseless portable
- Marlon Brando: Royal De Luxe
- Gwendolyn Brooks: Underwood 6
- Helen Gurley Brown: Remington Rand
- Pearl Buck (novelist, Jan 1965): Royal KMM Standard, 1940s
- Charles Bukowski: Royal Model HH, Underwood Standard, Olympia SG
- William S. Burroughs: 1950s, various typewriters, since he was constantly pawning them--many of his manuscripts were done on a Remington; Naked Lunch typed from handwritten notes by Kerouac, presumably on Kerouac's Underwood; Oct. 1959: Hermes Rocket; 1965 Paris Review interview: Facit Portable; cover of Word Virus anthology, 1970s photo: Olympia SG1. (See Naked Lunch for Burroughs' imaginary typewriters.)
- Robert Olen Butler: Smith-Corona Galaxie Twelve (two-tone blue)
- Herb Caen: Royal FP desk model - "The Loyal Royal"
- Robert Caro: Smith Corona 210 (Steve Hahn read somewhere that he bought 17 when company quit making them)
- Rachel Carson (Environmentalist, Jan 1952): Royal Quiet Deluxe, 1940s
- Raymond Chandler: Underwood Noiseless
- Paddy Chayefsky (playwright, May 1954): Underwood Standard Model 6, ca. 1946
- John Cheever: Underwood Champion ca. 1940 (quite beat up in photo from 1971, from The WriterŐs Desk)
- Claire Chennault (US general, June1957): Royal Quiet Deluxe portable, ca. 1957
- Agatha Christie: Remington Portable No. 2, Remington portable no. 5
- Arthur C. Clarke: Remington Noiseless Deluxe
- Leonard Cohen: Olivetti Lettera 32
- Dan Cook, sports writer: Royal 10
- Noel Coward: Royal KHM
- Quentin Crisp: Remington portable #3
- Bing Crosby: Royal portable (1920s)
- e.e. cummings: 1940s Smith-Corona Clipper
- Don Delillo: Olympia SM3 DeLuxe
- Gwen Dew: Hermes Baby (called "Tappy")
- Philip K. Dick: Olympia SG3
- Joan Didion: Royal KMG
- Stephen Dixon: Hermes Standard
- Bob Dylan: Royal Safari Deluxe, Olivetti Lexikon 80, and on at least one occasion, an Olympia SG1 (watch him typing here while Joan Baez sings)
- T.S. Eliot: Smith-Corona speedline black matte Sterling
- Harlan Ellison: Olympia SG 3 (read an interview with Ellison that explains why he writes only on manual typewriters)
- Ralph Ellison: early 1940s Royal Arrow, Olivetti Studio 44 (at American Academy in Rome, June 1957); IBM Selectric
- Douglas Fairbanks: Underwood 5
- William Faulkner: Royal KHM, 1930s Underwood portable photo 1 (in California), photo 2 (recent photo of an Underwood used by Faulkner)
- Ian Fleming: Royal portables (one was gold-plated), Triumph Gabriele (1950s)
- Janet Frame: Brother DeLuxe 1350
- Ian Frazier: various Olympias
- William Gaddis: portable manual Olympia
- Erle Stanley Gardner: Underwood 5
- David Gerrold: 1966 IBM Selectric
- William Gibson: Hermes 2000
- Allen Ginsberg: Remington portable no. 5; Smith Corona Electra (in the 1980s)
- Nikki Giovanni: Smith Corona Coronet electric portable
- Matt Groening: Hermes Rocket
- Dashiell Hammett: Royal De Luxe
- Tom Hanks: Smith-Corona Clipper (also collects other portables)
- Bill Heinz (sports writer, war correspondent): Remington portable #3
- Joseph Heller: SCM Smith Coronet
- Ernest Hemingway: Corona 3, Underwood Noiseless Portable, various Royal portables (including a Royal Arrow), Halda portable model P
- Katherine Hepburn: Royal De Luxe
- James Herriot: Olivetti Lettera 32
- Hermann Hesse: Smith Premier No. 4 (used from about 1908 to 1942); Remington Noiseless; Remington Quiet-Riter
- Marguerite Higgins: Hermes Baby; Underwood Master; Erika no. 5
- Alger Hiss (Jan. 1950): Woodstock standard #230099, 1929
- Alfred Hitchcock: '30s black Underwood Champion portable
- L.Ron Hubbard: LC Smith 5
- Eugene Ionesco: Hermes 3000, rounded style
- John Irving: IBM Selectric
- James Jones: Voss
- Thom Jones: old Royal portable
- Buster Keaton: Blickensderfer no. 5
- Harry Stephen Keeler: L.C. Smith with carriage return lever on right
- O. B. "Pop" Keeler (sportswriter): Underwood desktop
- Ruby Keeler (acress, singer, dancer): Royal 2-tone portable, 1920s
- Helen Keller: LC Smith 5
- Murray Kempton: Royal KMM
- Jackie Kennedy: Royal electric
- John F. Kennedy (at Harvard): Underwood Noiseless Standard ca. 1940
- Jack Kerouac: Underwood portable (On the Road was typed on a continuous roll of paper)
- Rudyard Kipling: Remington Noiseless (in late life)
- P. F. Kluge: 1920s-30s Royal desktops and some others (see photo)
- Ann Landers (Esther Lederer) (Jan. 1957): Olivetti Lettera 22
- Ring Lardner: Royal No 10
- Gypsy Rose Lee (striptease dancer and writer): Royal portable ca. 1942 (photo Jan. 1954); IBM electric (photo 1956)
- Stanislaw Lem: Remington noiseless portable (and others)
- Sinclair Lewis: Underwood 6, folding Corona 3
- Jack London: Standard Folding
- Morris Lurie: Hermes 3000, Olivetti portable
- Bernard Malamud (1971): Hermes 2000
- David Malouf: Erika
- David Mamet: Smith-Corona portable, IBM Selectric
- William Maxwell (New Yorker fiction editor): SCM Coronamatic electric with 11" carriage
- Cormac McCarthy: blue Olivetti Lettera 32
- Carson McCullers: Underwood Standard, 1930s; Olympia SM3 (1961)
- David McCullough: Royal De Luxe, Royal KMM (1981 photo, circa 2002 photo
- Kevin McGowin (American writer and teacher): Underwood #5, Underwood Standard 1930s, Olivetti Lettera 22/32, Olympia SM3/4
- Larry McMurtry: Hermes 3000 (he thanked his typewriter at the 2006 Golden Globes).
- Terrence McNally: Olympia SG3
- H.L.Mencken: LC Smith 5, Remington Noiseless Portable
- James Merrill (American poet): IBM Selectric
- Grace Metalious: Royal desktop
- James Michener: Olympia SM; Olympia SG3 (1974)
- Margaret Mitchell: Remington portable #3
- Gerald Murnane: Remington Monarch
- Jim Murray: Remington 17 (1945)
- David Niven (1950): Royal Quiet DeLuxe, 1940s
- Joyce Carol Oates: SCM Smith Corona Electra 220
- Sean O'Casey: Underwood #5
- Flannery O'Connor: Remington Deluxe Noiseless Portable, "1941 line"
- Clifford Odets (1962): Royal Quite Deluxe, ca. 1957
- J.C. Oldfield (editor of the Associated Press's London bureau, 1930s): Woodstock
- Roy Orbison: Underwood TM5
- Joe Orton: Adler
- George Orwell: Remington Home Portable (name variant of the #3)
- Ruth Park: Underwood Golden Touch Universal
- Dorothy Parker: Smith Corona black matte Sterling (photo 1941)
- Fernando Pessoa: Royal 10 with double glass windows
- Rosamunde Pilcher (1990): 1970s Hermes 3000
- Pope Pius XII: Olivetti Studio 42
- Sylvia Plath (1956): Olivetti Lettera 22
- George Plimpton: Underwood Standard 1947-50 black Rhythm-Touch
- Louis Pollack (screenwriter): Royal desktop
- Katherine Anne Porter: IBM Selectric
- Ezra Pound (May 1940): Everest 90 portable
- Anthony Powell (1973): Olympia SM 8
- J.B. Priestley: Imperial Good Companion
- James Purdy (American novelist): Olivetti Lettera 32
- Ernie Pyle: Corona 3; Remington Noiseless
- Thomas Pynchon: Olivetti portable
- Grantland Rice: Royal No 10
- Harold Robbins: IBM Selectric II
Tom Robbins: Remington SL3 - Roy Rogers (publicity shot when young): Remington Noiseless standard, early 1940s, black&shiny, bakelite keys, spool crank
- Will Rogers: Remington portable #3
- Philip Roth (Dec 1968): Olivetti Lettera 32
- Damon Runyon: Underwood 6
- Carl Sandburg: Underwood 5
- David Sedaris: IBM Selectric II
- Rod Serling: Royal KMM
- George Bernard Shaw (in later life): Remington Noiseless Portable
- Irwin Shaw (American playwright and novelist): Olivetti 45
- Georges Simenon: Royal 10
- Neil Simon: Olympia SM9
- Upton Sinclair: Underwood 6
- Isaac Bashevis Singer: Remington #3 portable; Remington portable #5 flat top (1978 photo); Hebrew Underwood Universal, 1940s
- Red Smith: Olympia SM7
- Mickey Spillane: L.C. Smith Standard Super-Speed (1952 photo)
- Christina Stead: Royal KMM
- Danielle Steel: Olympia SG1
- Wallace Stegner: Olympia SG1
- John Steinbeck: Hermes Baby, IBM Executive
- Robert Louis Stevenson: Hammond
- Joe Strummer: Remington Envoy III
- William Styron: SCM Smith Corona Electra 210
- John Cameron Swayze: Cole-Steel
- Hunter S. Thompson: red IBM Selectric
- James Thurber: Underwood #5
- J.R.R. Tolkien: Hammond
- Mark Twain: Sholes & Glidden
- John Updike: Olivetti MP1 portable; Olivetti Linea 88 (1990s photo)
- Kurt Vonnegut: Smith-Corona Courier
- Eudora Welty: Royal Standard HH
- Donald Westlake: Smith-Corona Silent-Supers
- E.B. White: Underwood Standard Rhythm Touch; Underwood Quiet Tab Deluxe, 1956
- Patrick White: Optima portable
- Richard Wilbur (poet laureate): 1920s (?) L.C. Smith
- Tennessee Williams: Corona Sterling, mid-1940s, Royal KMM, Olivetti Studio 44 (picture 1, picture 2), Remington portable #5 flat top, Remington Standard M, 1960s (1972 photo). (This man loved to have himself photographed with his writing machines!)
- P.G. Wodehouse: Monarch; 1940s Royal desktop (bought reluctantly when the Monarch died); Royal standard electric (1973 photo)
- Tom Wolfe: Underwood (1966)
- Richard Wright: ca. 1940 Royal Arrow
In a word: yes. Read the details here.
10. Where did you get that cool typewriter font you use on your site?
From a typewriter. Specifically, my beloved Remington Noiseless Portable Model Seven. I typed the text, then scanned it. This method will always be more convincing than using a simulated typewriter font for computers. However, using fontifier.com and a scanner, I have created a Remington Noiseless TrueType font that you are welcome to download here and use as you please. If you want other "typewriter" fonts, try this site.
11. How can I get rid of That Old Typewriter Smell?
Hey, some of us like it! But we're perverse ... Seriously, it's a common problem, especially with portables--and if you're allergic to mold, it can be a real health hazard. Yes, the smell is caused primarily by mold, combined with decades of dust and cigarette smoke. Mold won't grow on metal, but it will grow on typewriter ribbons and on fabric-covered cases. Take your typewriter out of its case and blow the lint and dust out of it (a compressed air canister for cleaning computer and stereo equipment is handy here). Throw away the ribbon. Look carefully for any surfaces that may have mold on them (the typebars usually rest on fabric or felt; some typewriters also have felt elsewhere, to deaden the noise). Clean and polish the machine using the materials I list on my restoration page. The cases can be cleaned with harsher materials, such as Lysol, window cleaner, or ammonia. Then let everything dry thoroughly, preferably in sunlight. Store typewriters and cases in dry environments with moderate temperatures. You may have to clean the cases again every 6 months or so. Paul Panella writes, "I've found that the musty smell from the old leatherette cases can be removed by first wiping down with a light disinfectant wipe. I use Clorox disinfecting wipes. Then I generously apply Old English lemon oil furniture polish inside and out. The leatherette just soaks it up and it seems to take care of the strong odor with no residue. These old cases are so dry that the lemon oil disappears almost immediately."
12. Why doesn't my typewriter have a numeral 1?
Most manual typewriters did without the numeral 1; you were expected to type a lowercase L instead. Often for a zero you would type an uppercase letter O; for an exclamation mark, you would type period-backspace-apostrophe, or hold down the shift key and spacebar while typing the period and apostrophe (usually you can superimpose characters if you hold down the spacebar). Cyrillic typewriters (for Russian, Ukrainian, etc.) do have a numeral 1, but don't have a numeral 3, because the Cyrillic equivalent to Z looks like a 3! All are ways to save a few parts and make manufacture cheaper.