Bob
Dylan as Philosopher
Daniel Dwyer
Philosophy Department
Xavier University
Homepage
Dylan quotes with a philosophical bent (below)
Bob
Dylan and
Self-Deception (My ongoing project)
Cincinnati
Post: Dylan as Philosopher (Interview after the
publication of Dylan's Chronicles)
Dylan
in the Classroom (Xavier Alumni Magazine Piece)
Appearance
on Boston's WBZ radio (An overnight talk
radio gig on philosophy and pop culture with superhost Jordan Rich)
Expecting Rain (Up to the
minute links to the day's Dylan literature)
QUOTES
On
giving "Shelter from the Storm" to the World Wildlife Fund commercials:
"The WWF is a good cause, I support them, and am proud to lend my music
to this effort. Early on, animals were the only ones who liked my
music. Now it's pay back time."
Asked whether or not he was
an ascetic, Dylan lit another cigarette and asked what the word meant.
"I don't think so. I still have desires, you know, that lead me around
once in a while. I don't do things in excess, but everybody goes
through
those times. They either kill you, or make you a better person."
"Great
paintings
shouldn´t
be in museums. Museums are cemeteries. Paintings should be on the walls
of restaurants, in dime stores, in gas stations, in men´s rooms.
. . . It´s not the bomb that has to go, man, it´s the
museums." (Nora
Ephron and Susan Edmiston, Positively Tie Dream, August 1965)
- The
Italian
Futurists: Museums and libraries are "cemetaries of empty exertions."
"I
am a conscious
artist.
. . . I had a teacher who was a conscious artist and he drilled
it
into me to be a conscious artist, so I became a conscious artist."
"If
I wasn't Bob Dylan,
I'd
probably think that Bob Dylan has a lot of answers myself." (Playboy
interview, 1978)
"You're
gonna make me give myself a good talkin' to." ("You're gonna
make me lonesome when you go," 1974; compare Aristotle, Nic Eth 1165b1-11)
"But
I was so much older then, I'm younger than that now." ("My Back
Pages," 1964, Dylan was 23 years)
- Oscar
Wilde:"I'm not young enough to know everything."
"Insanity
is smashing up against my soul
You could say I was on anything but a roll
If I had a conscience, I just might blow my top
What would I do with it anyway
Maybe take it to the pawn shop." ("Highlands," 1997)
[On
working on
"Like a Rolling Stone":] "I'm not
thinking about what I want to say, I'm just thinking 'Is this OK for
the
meter?' . . . It's like a ghost
is writing a song like that. It gives you the song and it goes away, it
goes
away. You don't know what it means. Except the ghost picked me to write
the
song."
- 1988:
On "Like a Rolling Stone" (which takes its first line from Hank
Williams'
"Lost Highway"): "The first two lines, which rhymed 'kiddin' you' and
'didn't you', just about knocked me out. And later on, when I got
to the
jugglers and the chrome horse and the princess on the steeple, it all
just
about got to be too much."
- [On
the meaning of "Just Like a Woman":] "I'm not good at
defining things. Even if I could
tell you what the song was about I wouldn't. It's up to the listener to
figure
out what it means to him." (2004)
- Cf. Plato's Republic
on interpretation of poetry, and Hannah Arendt: “Fundamental
and
flagrant contradictions rarely occur in second-rate writers; in the
work of the great authors they lead into the very center of their
work." (The Human Condition,
Chicago, 1998, 104-5)
"It
was said that World War II spelled the end of the Age
of Enlightenment, but I wouldn’t have known it. I was still in
it.
Somehow I
could
still remember and feel the light of something about it. I’d read
that stuff. Voltaire,
Rousseau, John Locke, Montesquieu, Martin
Luther—visionaries,
revolutionaries. . . it was like I knew those guys, like they’d been
living in
my backyard." (Chronicles,
30)
Dylan, Chronicles:
“[My grandma] told me once that happiness isn’t on the road to anything. That happiness is the road.”
On
his 2004 bio, Chronicles:
"It's not the kind of book where it's a short life and a merry
one. It's more abstract, drawn out over long periods of
time. I
worked the book, if you want to call it that, in patterns. I
portray life
as a game of chance. It works on a variety of levels, like
some of
the best songs do."
"Give
us some lyrics, you famous lyricist." - George Harrison to Dylan while
writing 'Handle With Care', Traveling Wilburys
"I remember seeing a
Time magazine on an airplane a few years back and it had a big cover
headline, 'IS GOD DEAD?' [an issue dated April 8, 1966, cleverly
coinciding with Easter] I mean, that was -- would you think it was a
responsible thing to do?" asked a perturbed Dylan. "What does God think
of that? I mean, if you were God, how would you like to see that
written about yourself?"
"Do you believe in
God?," asked Philippe Adler of the French magazine, L'Expresse. "Let's say, as He shows
Himself," Dylan responded. (circa 1978)
Dylan said, 'Allen
[Ginsberg], do you have a quarrel with God?' and I said, 'I've never
met the man' and he said, 'Then you have a quarrel with God.'
Rolling Stone
(November 04): "I saw you play at the
Newport Folk Festival a couple of years ago (2002). What was up
with the
wig and fake beard?" Dylan:
"Is that me who you saw up
there?"
Larry “Ratso” Sloman, On the Road
with Bob Dylan, 318,
on the film made during the 1975 Rolling Thunder Revue:
--Ratso: “You should seen this scene we just shot, a big
Hollywood-opening-type thing in the lobby for CBC. I played
you, man, it’s on TV tomorrow.
--Dylan: On TV? Where? They thought it was a Bob Dylan
interview and it’s going out all over the world?
--Ratso: No, just CBC. It was a parody. But I imitated you
great.
--Dylan: Oh yeah. Well, what was it like? What was it like being Bob Dylan? I
wish you’d tell me.
David Letterman: "What did the Pope say after hearing Bob Dylan [in the
Bologna 1997 concert]? -- 'I speak twelve languages and I still
couldn't understand him'."
As questions still
lingered, in some circles, as to where he "stood" spiritually (despite
his repeatedly sharing his views), Dylan shared this provocative nugget
with Martin Keller during their interview in the summer of 1983:
"People want to know where I'm at because
they don't know where they're at."
Tino
Markworth, in his "Too Much Educated Rap: Bob Dylan and Academia,"
commented on the scandalous idea of "Dylan Studies" at Stanford
conference in 1998: “Postmodern theorists are . . . dismissive of the
elitism implied by claims for Dylan's greatness and would rather spend
their time studying the sexual and class themes of Madonna's oeuvre or
deconstructing the power relationship and homo-erotic latency of the
Skipper and the first mate in Gilligan's Island.
J.
Dylan (1969-)
"We'd be in the dressing
room, and Tom Waits would come in, and I'd be so excited that here was
Tom Waits, but suddenly he wouldn't be able to speak because he was in
awe of my father. I'd be like, 'Come on, you're Tom Waits, the
coolest
guy in the world . . . say something. . . . So Tom Waits is
going,
'Mnnub, mnubbb,' and I'm like, 'Don't fall apart on me, man, you're my
hero.'"
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